Film

With the recent price hikes in color negative film, shooting in black and white is a cost-effective way to continue your love affair with analog.

Challenging the commercial grain, Taylor Pendleton embarks on a year-long journey of shooting monochrome street photos for authenticity & timelessness.

Hot take: editing your film photos shouldn't be frowned upon! Reheat your afternoon cup of coffee for a little film chat.

The world needed a new color film, and CineStill delivered. Here's why 400Dynamic is the best film stock for portraits, even better than the famous Portra 400.

We're all familiar with the increasingly trendy Portra-series photography, but what if there was a more affordable alternative from Kodak? Enter Kodak Gold 200.

Why is monochromatic film the underdog? Here's why I love its de-saturation and its allowing for more creative composition, subject matter, and light play.

Photographers have been stitching landscape photos together for decades for more comprehensive and detailed pictures. But, can you do this with portraits?

One of the best film stocks, now in medium format (finally). Warm, vibrant, and the perfect testament to my personal film photography.

Two gorgeously famous black and white film stocks — but which one is ultimately for you? Find out in Hunter Lacey's comparison article with example images.

A staple to the world of monochrome — here are my thoughts of the best black and white film stock to date.

High contrast with fine grain — the middle ground for perfection in a black and white film stock.

A low-light powerhouse. CineStill delivers a tungsten-balanced color negative film emulating that classic motion-picture vibe. Here's my initial impressions.